Himouto! Umaru-chan R (干物妹！うまるちゃんR )

 The second season is a lot better than the first. We're finally past the focus on the paradisiacal and gimmicky otaku life of Umaru and her dual personality. The focus now is the development of the characters' friendship and their daily life together. A lot more time is dedicated to the other girls and their problems and concerns, which actually makes Umaru more relevant and interesting as a character since this time around she can be more than something for her older brother to bare and clean up after it. We get a chance to see her more of her behavior as a friend and how she tries to improve the lives of the people around her… except her brother's life that is, she is still a toy hoarder and can't clean up after herself.

Now that Umaru, Kirie, Tachibana and Ebina is officially a group of friends, that's where the series goes; There's a getting together for christmas episode, getting together to go to the poll episode, going to the amusement park together, getting together to see some fireworks, going to the beach together, the works. The interactions are more varied and have a better pace, but don't expect too much. It's a very episodic anime. Like before, all problems the characters have are superficial, it’s either there for a joke or to be easily overcome. Everyone has a kind heart and everything works out in the end. It's good escapism and it doesn't want to be anything else.

三ツ星カラーズ (Mitsuboshi Colors)

Mitsuboshi Colors is about a group of three elementary school girls; Yui, Sacchan and Kotoha. They made a pact to protect and keep the peace of their town, more specifically Ueno park and its surroundings. And so they run amok causing all sorts of adventures upon themselves; from fighting trees and flowers so they stop causing people to sneeze to handing tissues near the subway entrance and selling strawberries to strangers in the park. To them, everything can become a call to adventure and a chance to explore their environment.

One of the people particularly interested in making their day interesting is Daigorou. He owns some sort of second-hand goods store and loves to come up with all sorts of mysteries to keep the trio occupied. One much less enthusiastic about the girls is the police officer Satou, who has to put up with their antics pretty much on a daily basis. He seems to be the most antagonistic character here, but this is an Iyashikei show, so that means he just tries to shoo away the kids from time to time. Another "quest giver" here is Sacchan's mother, Kise, who sometimes will ask the girls to run some errands for her.

Other people they deal with on a daily basis are the sisters Nonoka and Momoka; they own a bakery soon to be turned into an onigiri store and that's pretty much the cast. Yui is the leader, being probably the most serious and alert of the group. Sacchan is a ball of energy. Charismatic and always looking for something to do. Kotoha is a gamer with a lot of odd and funny theories about the world.

Watching this show was an interesting experience. It felt like it took me every minute out all of the 12 episodes for me to start to care about the characters. When I finally reached the point I felt like I could enjoy the show, it was over. I think there are two main reasons for this. First, the stories feel too scattered and catch-as-catch-can. I'm not talking about an overall sense of progress, this is not what this show is about, but how thin some of those episodes felt. It wasn't soothing, it wasn't funny, it wasn't endearing… it was just there. Felt like the whole script was written as a last minute thing. Some are interesting, for example when they follow their pet cat to figure out what it is doing during the day, or when Yui has to take part in a parade. Others feel like busy work, really, like sending the girls to hand some tissues to get some tickets for a lottery, just so they get more tissues as prizes.

The other issue for me was the lack of interesting supporting characters and a lack of a contrast between the main characters. Yui, Sacchan and Kotoha are just too similar to each other. Their friendship feels consumed by uniformity, there's very little for the viewer to follow in the characters themselves. Supporting characters could be interesting but ultimately they suffer from lack of screen time. I think Nono and Momoka would be great, if they had more development. In fact their relationship as sisters seemed a lot more interesting than the characters the show follows.

Also, watching this after watching Ichigo Mashimaro makes it very difficult not to draw comparisons. The characters here are way less interesting visually and feel superficial when you compare them with the girls in Ichigo. I'm still interested enough that I'll read the manga. We'll see how it goes.

苺ましまろ (Ichigo Mashiro)

Ichigo Mashimaro follows the daily lives of Itou sisters Nobue and Chika and their friends, Miu, Matsuri and Ana. The stories are mostly self-contained and have a SOL bent to them, but with a rather chaotic twist in the shape of 12 years old Miu. She must be the most explosive comedy release character I've ever seen in a Slice of Life, feel good manga like this. You know the type from many other titles, the very active child that pushes the other characters to do things or force them into situations they would never get by themselves. Well, Miu is that element but she is… special. Judging by the things I've read about this work, she's a polarizing character, too. Half the readers seem to love her, the other half hates her. The reason for this, I'm assuming, is because she doesn't allow Ichigo Mashimaro to be a cozy, feel good manga all the way through. She's always scheming something and even when it's a small thing, it turns out to be bigger than expected.

But why would so many people like this to be a pure feel good SOL manga? To get why, you have to look at the art. Ichigo is just gorgeous to look at. Barasui has a very soothing, "round and cute" style. He's able to draw very delicate lines that capture a lot with very little. His sense of fashion is varied and fun to look out for and he is pretty much one of the best artists I've seen when it comes to capturing character's facial expressions and body language, especially from children. He's able to add a lot of subtlety to the way his characters exist, particularly with the way he draws hands and feet, and I have to mention again, he loves to draw clothing and that adds a lot to his panels. So when you have a very strong and chaotic comedic element that disrupts things, yeah, some people might have a problem with that.

It seems even Barasui himself sees the work as an odd mix of over the top comedy and Slice of Life. There are many stories where he compares the friendship between Miu and Chika (chaotic, comedic) and Matsuri and Ana (endearing, soothing). In fact he seems to love that sort of contrast and applies them a lot in several ways during all sorts of situations. Before we go into those however, it's better if I introduce all the characters first.

Miu is 12 and I'm not sure if she's crazy or a comedy genius. She's very energetic and seems to be constantly dying for attention. She's also incredibly flexible, athletic and cute. Basically she's born to become a movie star, there's no other place in this world for her other than the stage and I think she knows it. In one story she mentions she wants to be an idol but no, she's wrong, she wants to be a movie star. She'll figure it out, eventually.

Then you have Chika. She's in the same class as Miu and not nearly as crazy. In fact, she's a very responsible and sweet kid, unfortunately caught between a slacker sister and oddball Miu. She loves to cook and is always reading about new types of sweets she can prepare at home. Her pacifying and calm nature is essential for the wellbeing of the people around her and she's an all-round restorative force to her friends and family. Chi-chan and Miu form a sort of unity within this group of characters.

The other one is composed by Ana and Matsuri. They're a year younger than Miu and Chi and have a very different relationship. They're also friends of course, but Matsuri is a very shy, fragile, introspective girl and so Ana ends up acting as a sort of guardian and protector. Matsuri is one of those types of people that look very precious and possess the gentlest of souls, so everybody around her tries their best to make sure Matsuri is happy and safe. Ana is also a very interesting character in her own right. She's a foreigner, an English girl, and moved to Japan with her family when she was four or so. She would love to be more of a foreigner, actually, but she doesn't know any English, which is a source of never ending frustration to her. In fact, Matsuri is very focused on helping her learn English and takes it so seriously that she actually knows way more English than Ana, which is a source of funny moments in itself. Ana is very mature, beautiful, extremely polite, refined and trustworthy. Basically it's impossible not to love her, as Matsuri and Nobue know very well. She's adored by Nobue, which makes Miu extremely jealous from time to time.

Transiting around those kids is Nobue, Chi's older sister. She's 16 and kinda what binds everything together. She's also the character the reader will sort of stand side by side the most. Like her, we're also watching as these kids interact and grow together so it feels like she's the closest character to the reader, or at least that's how I felt. It's hard to say much about her because hanging around with her younger sister and the other girls is pretty much all she does and apparently cares about. She doesn't seem to want or have a life beyond that. She dislikes school, doesn't have any friends her age and she must be at least a little socially inept because even though she's very cute, all the boys are afraid of her (according to her sister). She also kicked a stranger in the stomach once because he made a comment about her being single, not exactly a healthy reaction, but there you go, Nobue justice was served that day.

And with these five characters we mostly will be hanging around Chi's bedroom as they play with dolls, talk about their dreams, eat candy, play games and generally have a very nice day. Sometimes they go out to try a restaurant or to the park, but that's not as common. Lots of antics, lots of funny moments, lots of heartwarming moments. This is probably on my top10 favorite list. The art and the characters did it, more than the comedy and plot.

To conclude this I would like to talk a little bit about the situation with releases and what to expect of it. The first and second volume came out in 2003, about six months apart. Then volume 3 came out 2004, a year later. In 2005, again a year later, volume 4 came out and from there the release began to take longer and longer. Volume 5 came out 2 years later, in 2007. Volume 6 came out in 2009. Volume 7 came out 4 years later, in 2013 and again 4 years later, 2017, volume 8 came out. As I'm writing this, it's april 2022, so 5 years after volume 8 and there's no volume 9 yet.

I don't know if there are any chapters released after the stories contained in volume 8 because I could not track any Dengenki Daioh magazines prior to 2020 but the last chapter available on their website is from 2015. I didn't see anything about Barasui giving up on publication, so it's probably an active project, albeit a very slow pace one. Now, I've been following Barasui on Twitter and all he talks about is his 5 yo son. He's having a blast by being a dad and apparently it's his full time job for the past few years. I would not be surprised if Ichigo is the last thing on his mind right now. I guess we'll see.

As a last note to this, if you happen to be learning Japanese and are intermediate or around that, this work is very easy to read. Dialogue is short and the words used are very basic indeed. I mean, the main characters are children, so that's to be expected. I checked the fan translation is actually mostly decent, probably because the dialogue is so straightforward and simple.

苺ましまろ (Ichigo Mashimaro)

Ichigo Mashimaro follows the daily lives of Itou sisters Nobue and Chika and their friends, Miu, Matsuri and Ana. It's  SOL and CGDCT with a rather unique timing to it, but more of that later. Nobue is 20, Chika and Miu 12, Matsuri and Ana 11, making the show mostly about childhood and how those kids' personalities clash for humorous effect. As one might expect for a show of this genre, the atmosphere and mood are quite soothing and the plots are all trying to be lighthearted and endearing and it hits the mark most days.

The timing for this particular SOL is rather unique. The pacing is slower than most I think, not the plot itself but how the dialogue works and the way the comedy is delivered. This is not a bad thing and it works particularly well if you want something to shut your brain off for 20 minutes which is what I was looking for. This is also hinted at in the color palette for the show. A small range of mostly meek and calming colors. Right away you know what you're getting yourself to.

As far as the characters go, they're all quite nice and it's comforting to watch them playing around and being mostly silly. Miu is the chaotic element of this crew and as a result most of the comedy revolves around the rest of the girls having to deal with the crazy stuff she pulls off all the time. Ana is English but has lived in Japan for most of her life. She's very keen about Japanese culture and is very eager to make friends. Matsuri is a very shy, meek and introverted girl whose only weapon is her natural ability to inspire her friends to immediately stand up for her whenever needed. You'll understand why when you watch it. Chika is described by her older sister as "a girl whose main trait is not having any particular traits" but that's not true. She's the mature one of the group, many times acting more like an adult than Nobue herself.

Then you have Nobue. Being almost a decade older than the other characters and with no parents in sight, she ends up being a parental sort of figure, but without the pressure of being a real parent. All the other kids think she's super cool, except her sister who knows her a little better than that. She's a real mystery. Sometimes it felt like she had her own life going and having to take care of her sister and her friends is a nuisance to her. Other times it feels like all she has going on in her life is her sister and her friends and outside of that she's a recluse. It's obvious she dislikes school and doesn't care about it. Her room is pretty bare and the only passion she seems to have is smoking.

Sometimes she does a very excellent job at being an adult and treating those kids well and fairly, sometimes she fails miserably. Her relationship with Miu is particularly interesting because Miu obviously admires Nobue a lot and wants to be the girl Nobue likes the most. This is where Nobue is pretty hit-or-miss on her behavior. She seems to forget sometimes that she's dealing with kids, other times she goes out of her way for them. I suppose that makes her a rather realistic character in this. She was the most interesting character in the show for sure and watching her dealing with the children is very entertaining.

To finish this little rumbling here I would like to talk about the differences between the anime and the manga. It's been a while since I watched an adaptation so well put together. They read the original material and managed to change a thing here and there to great effect. First, changing Nobue's age from 16 to 20. Obviously this makes things easier with her smoking and drinking. Also, putting more age between her and the other girls reinforces her role as an adult watching children growing up, something she does a lot. A teenager would probably be too involved in their own crap to be around as much as she is in those kids' lives, so it makes her a little more grounded and interesting I think. Another change is having Ana there right from the start. In the manga she's only introduced on the second volume. Also making her enjoy Japanese things from the start instead of finding things weird really made her a lot more sweet. It also changed the way her elegance is presented, going for something less related to pride to something more agreeable. Lots of situations from the manga show up in the anime but the order, motivation and interaction between the characters are a little different. Ironically, I think the way the anime presented those characters actually revealed their personalities better than the first few volumes of the manga. Of course, they had the chance to read all the original material first and then decide how to proceed, while the manga was an original work in progress and that entails mistakes.

All in all, I really enjoyed this series. I wish the author would publish more volumes, as it stands, the story doesn't seem to be over yet, but it's on an indefinite hiatus for now. Let's hope we'll be seeing more of Ichigo Mashimaro soon.